The tenth drawing doesn’t add much information. Again, we have a campfire. The campfire certainly seems to take on more importance in these drawings than in most contactee artwork. The creature with the bearlike head is back, unless it’s a different one, or the snouted head is just a stylistic quirk of the artist. The other being is vaguer, but does remind me of the couple who confronted our little family group back in the fifth picture.
Animals in dreams may also be a symbol of the dreamer’s more physical side, of lusts, appetites, and fears. In that case, the other figure might be a stand-in for the soul; and we might see this as a meeting of the body and soul, over the domestic or alchemical fire.