The third picture contains two drawings. In the first, we have a rising or setting sun again: it’s on the left this time. It looks to me as if the stag has been decapitated, and the head is leaping from the hill. Perhaps those lines under the head are the body; it’s hard to tell. Decapitation is certainly a loaded motif. If the stag does indeed represent the father, there has been a change in the family unit.
In the lower image, we have four creatures. Since Jung identified number as the conduit between the conscious and the unconscious, I’ll point out that there are many associations with four: the seasons, the Gospels, etc. Four or forty was also the number associated with Enki, the “Great Stag” of Sumerian myth. The creatures are really too sketchy to identify. The third seems to have antennae, and also to be decapitated. The fourth is clearly a bird: birds show up in other drawings in the series as well. They look as if they’re traveling somewhere, and it’s in the direction of that sun in the image above. Are they going east or west? Given the preceding images of a foundling and a totem, perhaps we can see this as a family.